My First Double Weave – A Seamless Ruana

Ponchos and ruanas are popular styles of wraps. The ones I have woven are constructed from two rectangles sewn together. Rectangles are easy to weave.

But ever since I heard about double-weave, a process where two layers of cloth are woven at the same time, it has fascinated me. Double-weave can be used to create a cloth twice as wide as the loom (two layers connected at one edge), a tube of cloth (two layers connected at both edges), or two separate pieces of cloth (connect at neither edge). I knew I could use the process to eliminate the center back seam and weave a seamless ruana.

Double-weave can be achieved on a rigid heddle loom if you use two heddles but my RHL is only 25″ wide and I only have one heddle of each size. My 4-harness floor loom is wider and already has all the parts needed for this process.

Selvedges are often the most difficult to master part of weaving. If they are too loose, the edges look sloppy. If they are too tight, the cloth draws in. Weaving a double-wide cloth makes these issues even more difficult. On edges where the layers of cloth are connected, the weft must “go around” the edge from the top layer to the bottom. You need to leave just enough slack so the when the cloth is opened, the warp threads in this region are not distorted, too loose or too tight.

I read a lot of advice from other weavers and found these ways to minimize the selvedge difficulties.

1. This center region should be woven in the darkest color. If your warp has multiple colors, try to use the darkest color in this region.
2. Add extra spacing to the warp threads in this region. If you are warping 3 threads per slot, switch to 2 for this region.

My project was a black ruana with red and white stripes. I decided to skip the stripe which would have been in the middle and leave this region black.

I would not have thought to do this if it hadn’t been for the double-weave but I like it so much that I will generally do this from now on. Whatever pattern I choose will be replicated on the two halves while the center region is left plain.

I won’t try to explain the whole double-weave process here. There are many very good tutorials available. Briefly, the warp is doubled in each slot. To weave a single layer of plain weave you need to create two sheds that alternate. To weave two layers, you need two sheds for each layer for a total of four.

When you are inserting the weft for the top layer, one quarter of the total warp threads are lifted. When you inserting the weft in the bottom layer, three quarters of the total warp threads are lifted. This is because you need to lift the entire top layer of cloth (half the warp) and half of the bottom layer (one quarter of the warp).

For this ruana, I connected the two layers of cloth along the left selvedge for the first half of the weaving. I did this with a single shuttle moving across the top layer to the left, across the bottom layer to the right, back across the bottom layer to the left, across the top layer to the right.

When I finished the first half of weaving I had a single piece of wide cloth. At least I hoped I did. One of the interesting things about double-weave is that you can’t see the bottom layer of cloth. I had read that some weaves use a mirror to see the underside of the cloth they are weaving to check for errors like floats. Even that technique would not find all the errors in double-weave since some of them would be between the two layer where a mirror would not see them.

The second half is woven with two shuttles so the two layers can be completely separate. I used two different types of shuttles to keep them straight. Even so, I kept check the edges to make sure I didn’t mix the shuttles and accidentally connect the two layers.

One of the things I learned about double-weave is that you cannot hem-stitch both layers. At least not on the starting edge. I did find a way to hem-stitch the edge at the end of weaving. I raised the entire top layer and inserted a piece of white paper between the layers. I hem-stitched the top layer. Then, I cut the top layer warp threads and peeled away the top layer leaving only the bottom layer behind. It was my first real look at the bottom layer and I was happy to see that it looks ok.

The white paper had been so helpful when hem-stitching that I used it to hem-stitch the bottom layer as well. As you can see, this technique would not work for hem-stitching the start of the cloth. But I will hem-stitch the top half of the cloth, leave a long tail, and finished stitching when it is off the loom before removing the woven header. I think it will work.

These pictures show the four sheds but are not intended to show the process. There are very good tutorials available for that.

I was pleased with the look of the “seam” area (though a couple thread overlaps still need to be trimmed). I carefully paid attention to each thread as it passed through this area. I got better at it as I went but even the beginning turned out pretty well.

Here are some technical details of the project.

The yarn I used is Premier Everyday in colors Charcoal Heather, Red Heather, and White.

The reed was a 5 dent.

I hope you like this double-weave ruana. As always, your polite and helpful comments are welcome.

Wraps Part 2 – Ruanas

I have been busy weaving two styles of wraps.

The first style is a poncho woven in two rectangular pieces and sewn together. I wrote about these in a previous post.

The second style is a wrap that I have come to know is called a ruana. This one can also be woven as two rectangles sewn together or it can be woven as a double weave.

Both are easy to weave since they are rectangles. It has been SO much fun weaving these wraps because there is no end to the number of design options available. As long as they end up the right size, anything goes. You can use any combination of yarns and any size reeds/heddles. They can be woven on floor looms, table looms, and rigid heddle looms.

All of the wraps I have made so far are plain (tabby) weave. It will be fun to try additional weave structures as well as combinations of colors and textures in the future.

Poncho Size

The basic poncho is composed of two rectangles 22″ wide and 35″ long. The difference in length and width contributes to the size of the head opening. Once you know the correct size head opening keep this difference the same. If you make the piece three inches longer it should also be three inches wider. On the other hand, if you want to make the head opening larger or smaller, increase or decrease the difference. To make the opening larger, increase the length more than the width. To make the opening smaller increase the width more than the length.

Ruana Size

The basic ruana is composed of two rectangles 22″ wide and 56″ long. This fits most adults pretty well. If you make the pieces wider, the wrap comes down farther on the arms and there is more cloth in wings. If you make the pieces a little longer the wrap falls closer to the knees. I just ask the person “normal or wide” and “longer or shorter”?

Although you could make these rectangles on any style loom, I made all of these on a four harness floor loom with a 5 dent reed. The structure is all plain weave.

First and Second Ruanas

I have hoped that these wraps would be stash busters so for the first attempt I chose yarns that I already had on hand. I wanted to use the very old WoolEase sport weight yarn in color Wood. I didn’t have enough so I paired it with some Caron SimplySoft in color Black. The warp is stripes of black and Wood, the weft is all black. Everyone seemed to really like the stripes and most of the requests I got after this were for some variation of this design.

I made two ruanas like this, one a little wider than the other. I used up all of the woolease yarn, one of my goals.

Sheila’s Ruana

Sheila liked the Wood color yarn, but I was all out. So I had to go and find something similar. I chose this Caron SimplySoft in color Taupe.

It turned out nicely with a bit of interest from the tweedy yarn. This yarn has a nice drape and a soft feel.

Gray Ruana

This one uses Loops and Threads brand Barcelona yarn in color Arctic for the warp and Onyx for the weft.

The yellow ribbon is used to measure the length of the piece as I weave. Even though this ruana has no stripes or patterns, it seems to be a favorite.

The Barcelona yarn is soft and fluffy. There are enough color variations to keep the cloth interesting even without other design elements.

Jodi’s Ruana

Jodi liked the striped ruanas with brown and black yarn but requested gray and black instead. I decided to perk up the stripes by adding a few thicker yarns to each stripe. The thicker yarns are Thick and Quick. The other yarn is Caron SimplySoft in gray and black warp and all black weft.

The thick yarns add interest without added another color.

Anna’s Ruana

I made this ruana for Anna. The poncho I made her was light colored with navy accents so I decided to make the ruana dark with red and white accents. I had seen a plaid similar to this and considered trying a plaid but chickened out at the last minute.

I wanted the white accent threads to look “even” and not “odd” so I put an odd number of yarns between them. In this way they were both in the same shed. Both up or both down at the same time.

The yarn is Premier Everyday. I found it on sale for $2. The colors are Charcoal Heather, Red Heather, and White.

I am looking forward to getting creative with the wraps, trying new weave structures and color patterns. Keep watching!

As always, your polite and helpful comments are welcome.